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Programs Live from Here

Live from Here with Chris Thile is a Saturday-night destination for audiences everywhere. This variety show features a unique blend of musical performances, comedy and audience interaction. Acclaimed musician and songwriter Chris Thile welcomes a wide range of well-known and up-and-coming talent to share the stage and create a beautiful listening experience.

Chris has built on the legacy ... with a new level of energy and talent providing an appeal to new listeners. I'm pleased with how well he channels the energy from the live audience into an engaging radio show. – Fred Vigeant, WITF

Host

Chris Thile

See Host Bio and Photos

Length

01:59:00

Number of Programs/Frequency

Ongoing, weekly

Program Feeds

Live from Here is available via ContentDepot. Episodes are available live with subsequent file transfer Saturday 18:00-19:59 ET

Listener inquiries

800.228.7123

Listeners with questions about music they've heard on the broadcast can visit livefromhere.org.

Resources

Program Website
ContentDepot

Social Media

Marketing Tools

Social Media Tips

Digital Assets: Ads for your website and social media promotion.

On-Air Promos

Fundraising

Fundraising segments and promos are available on ContentDepot.

Find suggested pitch points for your on-air fundraising

Underwriting

Use our one-sheet to strengthen your pitches and investment.

Station Visits

Interested in hosting a visit from Chris Thile? Please complete our station visit form.

Host Chris Thile

Chris Thile, Host

Mandolinist Chris Thile is among the most highly acclaimed musicians of his generation.

It started when he was a toddler in Oceanside, California. His folks took him along for weekly visits to a pizza parlor in nearby Carlsbad, where he heard John Moore’s band Bluegrass Etc., and where he would soon befriend siblings Sara and Sean Watkins, his future Nickel Creek bandmates.

The mandolin captivated the youngster. He started lessons with Moore, who wasted no time in getting the five-year-old on stage. “I was too young to be nervous.” Chris recalls. I thought, ‘Oh, this is what you get to do when you’re five.’” Before long, the Thiles were driving bluegrass festival to bluegrass festival in the family camper. Chris was a soaking up music, jamming with other players, and winning championships.

By age eight, Chris had launched Nickel Creek with Sara and Sean Watkins. The genre-bending trio would go on to sell millions of albums and garner a boatload of honors, including a Grammy and a couple of IBMA Awards. In 2007, Nickel Creek called an “indefinite hiatus,” although they reunited in 2014 and released A Dotted Line(Nonesuch Records).

Chris made his first Prairie Home Companion appearance in 1996. That broadcast showcased remarkable young artists. Chris, then 15, clearly fit the bill. Since that early APHC booking, Chris, recipient of a 2012 MacArthur “genius” grant, has certainly made his mark — and not only in bluegrass music. His mandolin concerto, Ad astra per alas porci, had its official premiere in 2009, with the Colorado Symphony Orchestra. He has collaborated with a who’s who of musicians. His album Bass & Mandolin(Nonesuch) with Edgar Meyer won a Grammy, as did The Goat Rodeo Sessions (Sony Masterworks), when he joined forces with Meyer, Stuart Duncan, and Yo-Yo Ma. And hisBach: Sonatas and Partitas, Vol. 1 — music originally composed for violin — was released by Nonesuch Records in 2013.

In 2006, Chris formed Punch Brothers, with Chris Eldridge (guitar), Paul Kowert (bass), Noam Pikelny (banjo), and Gabe Witcher (fiddle). The group’s recordings include Grammy-nominated The Phosphorescent Blues and a new album, All Ashore, out July 20.

Beginning in fall of 2016, Chris took over at the helm of A Prairie Home Companion, a public radio favorite since 1974. Garrison Keillor, the show’s creator and host announced: “He is, I think, the great bluegrass performer of our time and he is a beautiful jazz player. There just isn’t anything he can’t do — and he is very enthusiastic about live radio.”

“I grew up with the show,’ says Chris. “I take this opportunity, this job, immensely seriously and with great awe.”

The show, now known as Live from Here, continues the tradition of Saturday evening entertainment on public radio — in person, online, on the radio.

Chris Thile is married to actress Claire Coffee. The two, along with their young son, Calvin, make their home in Brooklyn, New York.

Host Chris Thile

Photo: Devin Pedde
Download full-sized version

Host Chris Thile

Photo: Devin Pedde
Download full-sized version

Host Chris Thile

Photo: Devin Pedde
Download full-sized version

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Program logos and digital assets cannot be altered or co-branded (with your station logo, etc.) without APM approval. Please contact your Station Representative.

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The third season of Live from Here will feature a new, third break. All three breaks will be automated. The new clock will start Saturday, September 22, two weeks before the season premiere, and will be used for new and repeat broadcasts moving forward

Current Clock
(through September 21, 2018): Download Clock

New Clock Effective September 22, 2018
all new and repeat broadcasts

Program Clock

Download Clock

Beginning September 22, 2018:
Live from Here with Chris Thile is a two-hour live broadcast.There are three floating station breaks, all of which are automated:
First Break:

  • :59 in length
  • Occurs between 0:25:00 and 0:35:00
  • Outcue: "This portion of our show brought to you by Fast A-F (then a brief description of the tune)".
  • Automated: A CC3 will be sent for automated stations at this time. Instrumental fiddle music will then play (no vocals) for 59-seconds. Stations may use this as a music bed for local announcements or may choose to not break away at all. There is no specific cue to return to the program, so the local operator should return to the program 59 seconds after the netcue.

Second Break:

  • 1:29 in length
  • Occurs between 0:55:00 and 1:10:00
  • Outcue: "Tonight's broadcast is produced by American Public Media."
  • Automated: A CC3 will be sent for automated stations at this time. The music will quickly return to full level and continue at full level for a minimum of 89 seconds for the station break. Stations may use this for music under, not break away at all, or break away for 89 seconds or less. There is no specific cue to return to the program.

Third Break:

  • :59 in length
  • Occurs between 1:25:00 and 1:35:00
  • Outcue: TBD
  • Automated: A CC3 will be sent for automated stations at this time. Instrumental music will then play (no vocals) for 59-seconds. Stations may use this as a music bed for local announcements or may choose to not break away at all. There is no specific cue to return to the program, so the local operator should return to the program 59 seconds after the netcue.

After the live broadcast, files will be posted to ContentDepot in 7 segments: Segment A, Break 1, Segment B, Break 2, Segment C, Break 3, Segment D.


Live from Here is heard by nearly 2.3 million weekly listeners:

Live from Here Audience:

  • 50% female, 50% male.
  • Median age of 59, with 47% between 35 and 64.
  • 67% hold bachelor's degrees or higher.
  • 43% have an annual household income of $75,000 or more.

Source: Nielsen Audio, Nationwide DMA data, Persons 12+, Sp17/F17

American Public Media partner stations must carry all programs in the series on the same day as the feed: live in Eastern and Central time zones; in all other time zones, if not carried live, the program must be broadcast with a start time no later than 6:00 p.m. local time. Repeat broadcasts must conclude prior to the feed time of the next Saturday broadcast. The program must be carried in its entirety, except in the case of fundraising weeks where the station has chosen not to preempt the program for fundraising purposes. On these weeks — a maximum of four per year — the stations may break into the program for pitching and delete a portion of the program, not to exceed 48 minutes total, for fundraising breaks.

*American Public Media reserves the right to broadcast Live from Here on its owned and operated stations in any market.

Stations may use the fundraiser in place of the regular broadcast a maximum of four times within one year of the feed. Simulcast streaming rights are available for this series. See terms and conditions described in the American Public Media Service Agreement. Prior to carrying this series, stations must confirm carriage with American Public Media.


Questions about carrying Live from Here or your affiliation? We're here for you.